Information

Identification-History

For discussions of lace history and lace identification.  You can post a photo into a comment box for a lace you want to discuss.  Bobblin lace history.  About historic lace. Kinds of lace.  Distinguish types of lace.

We can identify a piece of lace for you, but we need good detail.  At least one photo with this kind of detail is necessary.  Otherwise we are just guessing.  A shot of the whole thing is useful because that shows us the style.  Style gives us clues to date and possibly geographical origin.  But we need the detail shot to tell us how it was made.

Members: 138
Latest Activity: on Friday

Examples + Resources

PHOTOS   

http://www.laceforstudy.org.uk/ 

Jean Leader's new website, different types of lace - https://www.lacetypes.com/

To compare needle lace, tatting and crochet, Kathleen Minniti's sampler.

My antique lace boards on Pinterest   

http://www.pinterest.com/lynxlacelady/bobbin-lace-antique/ 

http://www.pinterest.com/lynxlacelady/needle-lace-antique/ 

My collection of boards on Pinterest http://www.pinterest.com/lynxlacelady/ 

Jo Edkins lace collection online:  http://gwydir.demon.co.uk/jo/lace/collection/index.htm

Laces compared: https://trc-leiden.nl/trc-digital-exhibition/index.php/lace-identification-7-examples

A university based website specializing in the social history attached to lacemaking

https://laceincontext.com/

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 Bobbin lace    antiquebobbinlace     bobbinlace3     Needle lace    needlelace2 

For recognizing Swedish bobbin lace:  http://elsapetersonsspetsaffar.com/

Tatting     tatting2   tatting3      

Filet lace    filetlace2    filetlace3   filet lace4    Buratto 

Sol lace   sollace2   sol lace3

Knitted lace    knittedlace2     Crochet lace        Irish crochet lace      IrishCrochet2      

TAPE LACE WITH PARTS NOT ALL BOBBIN MADE

Bobbin tape lace  bobbin tape lace 2   

Mixed tape lace-machinetape      Romanian needlepoint lace  

LACES WITH OTHER MACHINE MADE PARTS - net

Embroidery on tulle-needlerun      Embroidery on tulle-tambour        Carrickmacross  

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MACHINE LACES

This is what it takes to make a cloth stitch strip with a machine. I don't know which machine this is. https://www.facebook.com/brooklynlaceguild/videos/1496541547035682/ ;

Chemical lace   ChemicalLace2  chemical lace3     chemical lace4     

See this for a technical explanation of the chemical lace process.

Barmen machine lace        Raschel machine lace     Leavers machine

machine1 (not sure what machine)   

http://www.dressandtextilespecialists.org.uk/wp-content/uploads/2015/04/Lace-Booklet.pdf a booklet which purports to distinguish machine from hand made laces. Some of the diagrams of typical machine structural elements are quite good. But too many of the comparison photos do not have enough detail to verify whether they are in fact machine made or hand made. The photos don't all show the individual threads. Still, the booklet is useful for the diagrams and descriptions of the various machine laces.

RESOURCES TO START LEARNING HOW TO IDENTIFY LACE

http://laceioli.ning.com/group/identification-history/page/online-resources 

http://laceioli.ning.com/group/identification-history/page/6475898:Page:1417 

http://laceioli.ning.com/group/identification-history/page/specific-pages-in-lynxlace 

IOLI.ORG'S RESOURCES

THE KOON COLLECTION

The Koon collection CD is a collection of images from the Eunice Sein Koon
Collection of Lace donated to IOLI by Ms. Koon. Ms. Koon was the editor of
Lace Craft Quarterly and a collector of lace.  It is not related to the
Minnesota collection to the best of my knowledge.  The CD is a series of
Powerpoint slides organized as the collection pieces are numbered.  There
are approximately 100 pieces of various types of lace in the Koon
collection.  Pictures from the CD could be copied and pasted into another
Powerpoint presentation, or the images could be used to request pieces of
lace from the collection for study by IOLI members.  Policy for use of this
lace is described on p. 58 of the IOLI Member Handbook. -- Jo Ann Eurell

LACE STUDY BOX

The IOLI - Internation Organization of Lace, Inc. has a study box of lace fragments that members can borrow.  

(I am searching for a link)

IOLI also has a lending library for members' use

http://www.internationalorganizationoflace.org/library1.html

http://laceioli.ning.com/group/international-organization-of-lace-inc/page/ioli-advanced-study-of-lace

A site with good photos of high quality antique laces: http://www.mendes.co.uk/antique.bobbin.lace.p.two.html ;

Discussion Forum

Strange mesh 3 Replies

Does anyone recognize this lace? My first thought was Lille, but the design is a little off, more like 19th c Valenciennes. Maybe Valenciennes with a round-hole mesh? But Val isn't known for the…Continue

Started by Laurie Waters. Last reply by Lorelei Halley Administrator on Friday.

Lacemaking history 6 Replies

Please, does anyone know for sure how lace tokens were used in Great Britain in the 1700s?I have read theories that the tokens were given in lieu of governmental coinage due to a coin shortage, but…Continue

Started by Laurie Elliott. Last reply by Laurie Waters May 13.

Mystery technique 6 Replies

Someone has contacted the New England Lace Group to ask for help identifying the technique used to make a shawl, the fiber used and how best to repair it. The first problem is actually figuring out…Continue

Started by Jill Hawkins. Last reply by Lorelei Halley Administrator Feb 10.

History of Lacemaking 3 Replies

A friend has been asked to make a presentation about the history of lacemaking. She asked about reference books for her preparation.  My suggestion is An Early Lace Workbook by Rosemary…Continue

Started by Sally Olsen. Last reply by Lorelei Halley Administrator Jan 31.

Comment Wall

Comment

You need to be a member of Identification-History to add comments!

Comment by Lorelei Halley Administrator on January 25, 2012 at 2:35pm

Paula: it would probably be best to put your photos into our general PHOTO section, and then add another comment box here with links to the photos. (Use the link button above this box--2st one).  If the photos were yours originally, you still own the copyright and can put wherever you want.  Sometimes photos which are put directly into a comment box become distorted -- the length and width ratios don't remain the same.  I don't know why it happens, I've written to ning but they haven't solved the problem.  But if you post the image into PHOTOS first, the distortion doesn't happen.

Comment by Paula Harten on January 25, 2012 at 2:24pm

I am not sure where to jump in on this discussion.  Perhaps, for those who do not receive the IOLI Bulletin, I could put up some photos, since they are mine.  Should I attach them here or in the main photo area?  I would like to share some that were not in the Bulletin.  Thank you to those who have been interested.

As to the discussion of  Chancay lace, I have referenced a book I own, "Textiles of ancient Peru and Their Techniques"  by   Raoul D'Harcourt.  This book shows examples of PreColumbian Peruvian textiles using nearly all the lace techniques of today.  The techniques for doing the gauze are not definitely known.  D'H. makes a  guess, but modern Guatemalan women do it differently, according to the editor.  I guess the warp threads are fixed to create the tension needed. The warp is twisted before and after the weft, but can return to plain weave, unlike in sprang. The animals, such as the birds on the piece I have photographed here in Oregon, are embroidered around the netting and open spaces created in the weaving,

My personal definition of lace is much like Pat Earnshaw's in her dictionary of lace.  I would include wire or other fibers in the fabric that must have holes that form an essential part of the design and made by special movements of the fibers.  This is why I tackled the recreation of the lace found in Spiro, OK.  Even though I have no way of knowing whether they created a pillow and used "pins" or it was made by manipulating the threads hanging on a frame, I wanted to know the "special movements of the fibers"  Gee - should have put that in the article!  I will never be finished with this project, I guess.

If the members are interested, I will put some photos of the Chancay gauze and the Spiro lace up tomorrow.  I am putting them in an acceptable format.

Comment by Devon Thein on January 23, 2012 at 10:34am

The article, which is well-researched shows an image of a Chancay gauze weaving, but deals more with a textile found in Spiro Mound, which is in Oklahoma. The writer recreates, using bobbins, the textile which is preserved in the Sam Noble Oklahoma Museum of Natural History. The textile looks like a torchon ground with holes in it and is at an archeaolgical site of the Mississippian culture, which is pre-Columbian.

It seems to me that the Spiro textile has to have been made without a fixed warp. It is unclear to me whether the Chancay gauze is made without a fixed warp. With a term as unclear as "lace", I suppose one cannot become too picky, but personally, I like to leave fixed warp weaving of open work textiles to weavers to gush over because I pity them for making so many textiles that are not lacelike. But that is just my personal eccentricity.

Comment by Beth Schoenberg on January 23, 2012 at 10:04am

Oooh, really fresh material!  Have I stumbled on a trend at the ground floor?   :-)

Yeah, defining lace, that seems to be the problem -- whether to limit or not to limit the inclusion of *any* openwork fabrics, and why and when, etc.   Mmm, fabrics?  Does that mean only openwork panels made with flexible, more-or-less organic fibers?  But then, what about the Lace Fences, which are very clearly lace, but made with heavy steel wire?   Sigh.

I think I like best the definition proposed by (I believe) Rosemary Shepherd -- paraphrasing, I'm sure:  that lace is any fabric where the spaces between the threads are as important as the arrangement of the threads themselves.  That leaves a whole lot of scope for "lace" design and production -- both a blessing and a curse.  Probably real handy for exhibit designers and contest organizers, though.   :-D

Then again, lace in the traditional sense is one of the most absolutely useless textiles ever invented anywhere.  Maybe we should automatically eliminate from the definition any "lace" that actually has a practical function?  Chancay gauze could still be included, since they are only ever found in funerary contexts -- so they're just about as practical as lappets and lace shawls ...

When I first came across Chancay "lace," it was a text description, no pictures, but was described as, more or less, a type of weaving that produced lace.  Well, that sounded close enough to bobbin lace for me, so of course I had to follow this up!   Later on, I came across more technical descriptions that called the fabrics Chancay gauze and never used the word "lace" even once -- but the accompanying photos showed something suspiciously, deliciously lace-y looking.  Actually, many of the photos were on online auction sites, which are notorious nowadays for being unwilling to describe items in much detail at all, for fear of getting it wrong (expensively).  Not surprisingly, the pieces on offer were at the more elaborate end of the intricacy scale;  some Chancay gauzes are really fairly simple.

I certainly will look for this issue of The Bulletin.  If the lace described is *North* American, where was it made?  And does it resemble Chancay gauze in any way?

Comment by Devon Thein on January 23, 2012 at 7:45am

Dear Beth,

There is an article in the Winter 2012 issue of The Bulletin, International Old Lacers, Inc.called Recreating a Pre-Columbian North American Lace by Paula Harten that you might find interesting.

Lace has never been a particularly well defined term. Is it something, no matter what, made with lace technique, or is it a white, openwork textile, regardless of construction technique, that can be employed for the uses that European fashion history has used lace for?  

Comment by Beth Schoenberg on January 23, 2012 at 2:37am

23 January, 2012

OK, here's one for the lace history buffs:  if a lace fabric is woven, and really looks like lace, but not made with bobbins, is it still lace?

Check out (in the near future from this writing) the fragment of coloured net on eBay (this sold a couple of weeks ago), item number 230726189927 .   It sure looks like lace, bird figures and ground and all, but it's considered to be weaving -- and historians aren't sure exactly how it was made.  It's called Chancay gauze;  it's pre-Columbian Peruvian;  and it wasn't made after about 1300 CE (AD).  Most Chancay gauze is geometric in design, but there are plenty of examples of figures incorporated into the designs (my favorites are the cats -- lots of cats).

The best online resource for finding out more seems to be the blog (and website, though that seems to be down at the moment) of a Danish textile artist who spent some time in Peru studying all sorts of textiles, including the gauzes.  One of her blog entries is at: http://byrios.blogspot.com/2010/01/chancay-gauzes-at-museo-amano-li...

Another is at:  http://byrios.blogspot.com/2011/01/pisquillo-in-chancay-valley.html

There's a downloadable article, with an abstract at: http://digitalcommons.unl.edu/tsaconf/94/

And if you want to see photos of these gauzes, you can look on:  http://www.williamsiegal.com/meso_central_textiles.htm   (At this writing, there is at least one panel with an allover-cats design.)  Or just search for Chancay gauze images.

Anyway, they're all very interesting, and LACY, even if we shouldn't include them in the definition.  Or should we?

 
 
 

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